kids V2 ~ Whitehall, NY - just outside the Adirondack PARK • click to embiggen
Stephen Shore ~ from the book UNCOMMON PLACES • click to embiggen
comparison • click to embiggenRelative to yesterday's entry and the recent entry,
digital / pre-digital color, I thought I would share a comparison between how a
RAW converter / processor sees a
RAW file and what the same file looks like after I tweak the a and b channels in the
RAW converter / processor. iMo, an amazing difference / good clean color. Take particular note of the "restaurant" word mural and the weathered wood window frames - both are rendered with very clean / accurate color.
Also thought I would share my picturing experience, re: kids - Whitehall, NY ... after stopping in Whitehall to see the Skene Manor I wanted to make a picture of the Manor from the village in order to present its dominating presence up on the hill. First I made a few pictures from a vantage point across the street by the mailbox (as seen beyond the kids). Then standing in the street. And finally, between 2 corner buildings which framed the scene.
Turning around after walking to that last vantage point, a vision of a Stephen Shore picture immediately came to mind. I also knew, at that moment, that I would be presenting an 8×10-proportion picture as a short of homage to Mr. Shore. He was, after all, one of my early picture making inspirations. Or, more accurately, early on après my get-beyond-the-pretty-picture epiphany.
Reader Comments (1)
>>I thought I would share a comparison between how a RAW converter / processor sees a RAW file and what the same file looks like after I tweak the a and b channels in the RAW converter / processor.
So you are saying that adjustment would not be easy with a simple de-saturating adjustment in Lightroom? I realize there are other differences (black or shadow levels are examples) but it seems the tweaks would not be that difficult using conventional RGB controls.