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This blog is intended to showcase my pictures or those of other photographers who have moved beyond the pretty picture and for whom photography is more than entertainment - photography that aims at being true, not at being beautiful because what is true is most often beautiful..

>>>> Comments, commentary and lively discussions, re: my writings or any topic germane to the medium and its apparatus, are vigorously encouraged.

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BODIES OF WORK ~ PICTURE GALLERIES

  • my new GALLERIES WEBSITE
    ADK PLACES TO SIT / LIFE WITHOUT THE APA / RAIN / THE FORKS / EARLY WORK / TANGLES

BODIES OF WORK ~ BOOK LINKS

In Situ ~ la, la, how the life goes onLife without the APADoorsKitchen SinkRain2014 • Year in ReviewPlace To SitART ~ conveys / transports / reflectsDecay & DisgustSingle WomenPicture WindowsTangles ~ fields of visual energy (10 picture preview) • The Light + BW mini-galleryKitchen Life (gallery) • The Forks ~ there's no place like home (gallery)


Entries in civilized triptych (2)

Wednesday
Aug102016

civilized ku # 4018 / civilized triptych # 4 ~ click on this

I am fed up with the Squarespace cluster fuck on their legacy platform. So, from this day - August 10, 2016 - forward all entries will be made on my new blog site.

While the full site is not quite ready for prime time - the WORK section in particular - the blog section is pretty much on track.
Tuesday
Aug092016

civilized triptych # 3 ~ the pool redux

1044757-27185812-thumbnail.jpg
pool groupings ~ Stone Harbor, NJ • click to embiggen

This second picture making effort, re: civilized triptych is headed in the picture making direction I wish to adopt.

That is, to make 3 pictures each with their own visual / referent interest which seemingly compete with each other for the viewer's attention but, nevertheless, work together as a complete / integrated picture. And, I also prize a foreground element which draws the viewer's a eye from front to back (and back again) as much as that is possible on the 2-deminsional surface of the print. All the more helpful in causing the viewer's eye to dance and flit about the individual and collective surfaces of the triptych, creasing a visual energy which is found in most of my pictures.

More to come.