signs # 13 / noir covers / photo noir #7-8 ~ just thinkin'
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This blog is intended to showcase my pictures or those of other photographers who have moved beyond the pretty picture and for whom photography is more than entertainment - photography that aims at being true, not at being beautiful because what is true is most often beautiful..
>>>> Comments, commentary and lively discussions, re: my writings or any topic germane to the medium and its apparatus, are vigorously encouraged.
BODIES OF WORK ~ PICTURE GALLERIES
BODIES OF WORK ~ BOOK LINKS
In Situ ~ la, la, how the life goes on • Life without the APA • Doors • Kitchen Sink • Rain • 2014 • Year in Review • Place To Sit • ART ~ conveys / transports / reflects • Decay & Disgust • Single Women • Picture Windows • Tangles ~ fields of visual energy (10 picture preview) • The Light + BW mini-gallery • Kitchen Life (gallery) • The Forks ~ there's no place like home (gallery)
FYI, while I have already made a POD book, Signs / The Signifer & The Signified: information overload, I have yet to post, for your viewing pleasure and entertainment, the gallery on this blog. Will do so within the next week.
The picture windows book/gallery can be accessed through the link in the BODIES OF WORK list at the top of this page.Fortunately for me, I really like making pictures in the gloaming. It's a "mysterious" time of day which appeals to my eye and sensibilities so I didn't consider this chafe of plans to be a negative one.
FYI, the picture of the signs was a very fortunate opportunity that will likely be used as the cover of my new book - new body of work - entitled Signifier & Signified ~ information overload.No Parking Here to Corner ~ Plattsburgh, NY • click to embiggenIn response to the intro to / first peek of my information overload concept (see civilized ku # 2453-62 ~ no direction home, pepeye (no linked provided) wrote:
Interesting. But one problem I see from the sample work you posted is that a 3×3 of your work looks more like what we would see in a Flickr or 500px gallery of your work and not like the random overload of images you speak of. The overall style is too consistently your style. Where's the super HDR? The tilt shift? The expired film look, etc. that adds so much to the visual overload of images on the web?
In addition, Clifford Gwinn (no link provided but I did find this - Clifford, please correct me if this is not you) wrote:
Why bother?
my response: re: ...the sample work you posted ... looks more like what we would see in a Flickr or 500px gallery of your work and not like the random overload of images you speak of.
It is not my intention to replicate the myriad looks of the overload of pictures, but rather, to metaphorically represent the volume of pictures. IMO, introducing various picturing styles to the visual equation obfuscates that intention by drawing attention to distinct and differing categories of information as opposed to the sheer volume thereof.
My point is not about distinctions, it is all about sheer volume which tends to overwhelm the senses and engender a fog of indistinction. IMO, the more homogeneous the information, the more difficult it is to distinguish any one item from another. Consequently, I am placing no emphasis upon distinctions and, by presenting all of the pictures in my "style", I am further emphasizing the notion of volume.
However, as you so astutely recognized (although, maybe not the intention for it), the 3×3 presentation is quite deliberately meant to draw direct attention the ubiquitous web gallery presentation as seen on flickr, tumblr, and other picture sites.
my response: re: Why bother?
Hey, I gotta have something to do.
BTW, thanks to John Linn for the "hook".
Sign, sign, everywhere a sign
Blockin' out the scenery, breakin' my mind
Do this, don't do that, can't you read the sign?
Information overload • click to embiggen
Signs ~ Plattsburgh, NY • click to embiggenA little over a week ago, I wrote about introducing my new body of work, tentatively titled, information overload. For one reason or another, I have been negligent in doing so. Consequently, operating on the assumption of "better late than never" .....
In a very real sense, this work is about my growing reaction to the tower•of•babble-ish surfeit of pictures, some good / most not so good, to be found and seen on the internet. A situation which which leaves me feeling as though I am awash in a sea of mediocrity, at best, or, more often than not, in a sea of indifference inducing picturing pablum / pap.
My reaction, albeit expressed in pictures, is not unlike that of Joerg Colberg in his essay, What is a stake? (a very good read), wherein he writes:
Let’s face it, the tedium of seeing the sheer endless stream of photographs on Tumblr .... is just depressing.
Like Colberg's words, my pictures are not meant to profer an answer but rather to pose a question or questions, not the least of which is, when is enough, enough? or, when does too much create of fog of confusion? A fog which, for better worse or worse worser, obfuscates any solutions, answers, and/or meaning.
Unlike Colberg's essay, which deals exclusively with medium of photography, my pictures are also intended (metaphorically) to indict the information saturated mediums with which our culture is infused. Because, IMO, massive amounts of indiscriminate, unedited, and often incongruous information has little value other than its ability to confuse and obfuscate. Finding or discovering a grain of truth therein is akin to searching for the proverbial needle in a haystack.
All of that said, my picturing intention with this body of work is to make individual pictures of what might be labeled as visual confusion. Pictures which evidence a visual complexity which borders on information chaos. Then, to further enhance that complexity, presenting those pictures in a 3×3 grouping.
While the first-blush sample composite picture published with this entry is comprised primarily of pictures of road / highway signage, I also intend to picture roadside shopping strip signage and scans of printed materials which depict visual confusion. Each category of visual confusion will be presented as
discrete composited prints.
Additionally, my objective is to create a body of 10 individual composited prints. In order to do so, I will be required to make 90 "final" individual pictures. Consequently, I envision a rather lengthy picturing endeavor.
Mark Hobson - Physically, Emotionally and Intellectually Engaged Since 1947