civilized ku # 2689 / single women # 26 / picture windows # 62 / kitchen life # 49 ~ another useless artist

Another Useless Artist ~ New York, NY • click to embiggen
single women ~ New York, NY • click to embiggen

picture windows ~ New York, NY • click to embiggen

kitchen life ~ Au Sable Forks, NY • click to embiggenEven though I continue to be very productive picture making wise - 100+ new pictures in the last 30 days - I am feeling more than just a bit un-focused / aimless or, perhaps more accurately, plain and simple just flat out restless.

As evidenced by today's picture entries, in just the last week I have made additions to several of my bodies of work, including more which are not included here. And, it's worth noting that I am rather pleased with the work I have been adding to my various picture projects. I am even contemplating the start of yet another separate body of work which would begin completely from scratch.

Consequently, I can write with both conviction and certainty that I am not suffering from a picture maker's mental block, a deficiency of picture making motivation, or feelings of picture making inadequacy. No, not at all. After careful rumination and contemplation, there is no doubt in my mind that my current restless picture-related mental state does not stem from any of those picture making maladies.

Rather, I am quite certain that the bee in my bonnet, thorn in my side, idée fixe or monomania is instigated by the fact that I have not exhibited - gallery or art institution wise - any of my pictures for the better part of a year. Quite frankly, I don't find exhibition opportunities scarce or hard to come by. That is to write, when I set my mind to seeking them out. However, the truth of the matter is that I have been a slacker of sorts in that department.

I believe the reason for that situation is simple - most of my recent exhibits have been in not-for-profit art organization / institution galleries. Galleries which have funding which is not dependent upon selling something. Consequently, gallery goers who frequent those venues, generally speaking, are most interested in looking at rather than looking to acquire art.

Privately owned for-profit galleries are an entirely different matter. In order to exist, they need to sell something and in the process, make a profit. When the owner / director of such a place makes a decision to exhibit an artist, they do so with making a profit in mind - will the artwork appeal to and subsequently sell to their clientele? Which, in very real manner, makes getting one's work into a private gallery a real challenge.

Not only does an artist have to make interesting art but he/she must then find a gallery owner / director receptive to the work and who has a clientele receptive to the work and is willing to part with $$$$ to acquire it. Trying to win that trifecta is indeed a very daunting challenge.

All of that written, I want to exhibit my work in more privately owned galleries. That desire is fueled by my wish to sell pictures, but .... I want to sell pictures, not for the $$$$ (although I won't turn it down), but for the satisfaction of knowing there those who appreciate my work and are willing to part with something of value ($$$) to acquire something they consider to be of value, aka; one (or more) of my pictures.

So, it's time to make a plan*, get off my butt and implement that plan, and then sell some pictures.

*The biggest challenge I face in making a plan is to decide which of my bodies of work do I develop my plan around.