diptych # 36 (rain # 58-59) ~ catapulting the impermanence and awkwardness of a snapshot to the permanence and artfulness of painting.

Downpour / light rain ~ Brooklyn, NY / Hoboken, NJ • click to embiggenWhile in NYC, one non-photography exhibit which caught my and and attention was Chrisa Biddy's Mobile Uploads - see pictures here / read about it here. While the exhibit was comprised of small 4×6inch (on average) realistic oil and watercolor paintings, what I really liked was the fact that the paintings were created using vernacular photographs culled from Facebook and other social media networks as their inspiration.

If you don't read the short PR announcement linked to above, about all you need to know about the work is contained in the following paragraph from the announcement:

Voyeurism, exploitation, subversion, sexual exploration, etc., are all words that can be associated with Biddy's work. At the end of the day, it is simply a boy painting girls, all the while ignoring the trappings of the femme fatale and political correctness. The subjects have allowed themselves to enter a world wide web of unknown onlookers and the artist has catapulted the impermanence and awkwardness of a snapshot to the permanence and artfulness of painting.

I found the small paintings to be visually very mesmerizing and emotionally / intellectually very stimulating (keep your mind out of the gutter). And like the PR piece states, I found the exhibit to be "Like watching a train wreck; you just can't divert your eyes." Really good stuff.