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This blog is intended to showcase my pictures or those of other photographers who have moved beyond the pretty picture and for whom photography is more than entertainment - photography that aims at being true, not at being beautiful because what is true is most often beautiful..

>>>> Comments, commentary and lively discussions, re: my writings or any topic germane to the medium and its apparatus, are vigorously encouraged.

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BODIES OF WORK ~ PICTURE GALLERIES

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    ADK PLACES TO SIT / LIFE WITHOUT THE APA / RAIN / THE FORKS / EARLY WORK / TANGLES

BODIES OF WORK ~ BOOK LINKS

In Situ ~ la, la, how the life goes onLife without the APADoorsKitchen SinkRain2014 • Year in ReviewPlace To SitART ~ conveys / transports / reflectsDecay & DisgustSingle WomenPicture WindowsTangles ~ fields of visual energy (10 picture preview) • The Light + BW mini-galleryKitchen Life (gallery) • The Forks ~ there's no place like home (gallery)


Entries in ku, landscape of the natural world (481)

Wednesday
Sep222010

ku # 805 ~ a tree

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Cemetery tree ~ Mt. Hope Cemetery - Rochester, NY • click to embiggen

Friday
Sep172010

urban renewal # 1 / ku # 781 ~ art? photography? both? neither?

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Without the APA ~ Whiteface and The Flume - somewhere in my head, in the Adirondack PARK • click to embiggen
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Stormy sky ~ Lake Placid Resort GC - Lake Placid, NY - in the Adirondack PARK • click to embiggen
I am about to do something that I rarely do* - enter a picture in a juried event.

Actually, 2 different juried events. 1 that is conducted by an Arts organization, the other conducted by a Photography organization. And, therein lies my dilemma. Let me explain ...

As noted and discussed in previous Landscapist entries, there are picture-makers who are artists and then there are artists who use photography. The distinction between the two can be rather complex. However, 1 particular difference is most often apparent - picture-makers who are artists tend to picture what they see, most likely with a very focused vision in a very specific genre, whereas artists who use photography tend to make pictures wherein the concept that drives the picture-making is the most important thing.

FYI, in the post-Szarkowski era, concept driven pictures are very much in favor with the Arts community / movers and shakers.

This distinction is not to say that the twain never meet although the concept MO most often mixes with the picture-makers who are artists crowd rather than the picture-what-you-see MO does with the artists who use photography crowd. That's because, in practice, concept driven picture-makers tend to "construct" their pictures with either staged picturing subjects or post-picturing manipulations of one kind or another, sometimes both. Neither technique lends itself to the notion of picturing what you see.

All of that said, it's back to my dilemma ... considering my 2 "picks" (see above) for the juried events, IMO, there little doubt that Without the APA is much more concept driven than Stormy sky is. Therefore, it seems obvious that that picture is much more suited to the juried event that is being conducted by the Arts organization. As mentioned, the Arts crowd really likes concept-driven work (of any art genre).

But, here's the real dilemma ... I also believe Without the APA to be the better choice for the juried event being conducted by the Photography organization.

Why so? Well, as I was purusing my collection of pictures - almost 3,000 pictures - for likely candidates for submission to the events, I was struck by the fact that, while many of my picture-what-I-see pictures are good (maybe great?) pictures, they make their strongest impression as part of a body of work rather than as stand-alone, AKA- "greatest hit", pictures.

Since I was entering in the Single Image category (in the Photography organization event), IMO, the Without the APA picture is the best picture for that juried event as well as the Arts organization event (which only accepts 1 piece per artist) .

That's because, in addition to it's concept-driven character, it is also a very good picture. It is, in a word, "interesting". As discussed in civilized ku # 669, the picture contains many of the qualities that make a picture "interesting" - What makes a photograph interesting? I’ll count the ways: It can be our first look at something. It can be entertaining. It can evoke deep emotions. It can be amusing or thrilling or intriguing. It can be proof of something. It can jog memories or raise questions. It can be beautiful. It can convey authority. Most often, it informs. And, it can surprise. ~ John Loengard

So, Without the APA it is for both juried events.

*I am not a fan of juried events / competitions. In part, that is because, even though quite obviously some pictures / bodies of work are better than others (some much better than others), I really don't think of picture-making as a form of competition. And, in additional to that notion and considering my experience as a judge for many juried events/contests (some of both national and international scope), such events really are crap-shoots that are entirely dependent upon the personal biases of any given judge. Hopefully, those biases are informed biases based on knowledge of the medium and its history but ....

Friday
Sep102010

ku # 804 ~ and the beat goes on

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A red twig ~ in the Adirondack PARK • click to embiggen
What more is there to say?

Tuesday
Aug242010

ku # 800-03 ~ the return of the twig photographer

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Twig in a thicket Peru, NY - just inside the NE Adirondack PARK • click to embiggen
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A thicket Peru, NY - just inside the NE Adirondack PARK • click to embiggen
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A thicket Peru, NY - just inside the NE Adirondack PARK • click to embiggen
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A thicket Peru, NY - just inside the NE Adirondack PARK • click to embiggen
It has been opined that I am "The Twig Photographer" and, as it applies to me, there is some true to that moniker ...

... in fact, the single most number of pictures that I have made over the last 7 years or so, pictures that would fall under the single heading of, say, pictures of twigs, are those of twigs. Or, as in the case of today's pictures, leafy covered twigs, AKA - twigs-in-waiting. While twigs may not be the only referent in many of those pictures, it is accurate to state that they are, at the very least, featured prominently in those pictures.

What can I say? Twigs, and the complex visual energy they project, appeal to my eye and sensibilities. At least it can not be said that I am a 1-trick/twig pony.

Friday
Aug202010

ku # 798-99 ~ on top of Whiteface Mt.

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Lake Placid (the lake) ~ view from Whiteface Mt. - in the Adirondack PARK • click to embiggen
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On top of Whiteface Mt. ~ in the Adirondack PARK • click to embiggen SMALL VERSION
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On top of Whiteface Mt. ~ in the Adirondack PARK • click to embiggen LARGE VERSION
A 10 picture stitch using the Automate / Photomerge function in Photoshop, followed by a fair amount of manual work to fix some no-so-good PS photomerge merging.

Friday
Aug202010

ku # 797 ~ backlit water

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The rocks/rapids ~ Jay, NY - in the Adirondack PARK • click to embiggen
Another multi-exposure blend - 4 files into one.

Wednesday
Aug182010

ku # 797 ~ water lily pond # 2

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Water lily pads and wildflower/weed ~ in the Adirondack PARK • click to embiggen

Tuesday
Aug172010

(ever so) civilized ku # 629-35 ~ night light

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Night view of Whiteface ~ Lake Placid Lodge - in the Adirondack PARK • click to embiggen

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Dusk view of Whiteface ~ Lake Placid Lodge • click to embiggen
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Dusk view of Whiteface ~ Lake Placid Lodge • click to embiggen
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Night view of Whiteface ~ Lake Placid Lodge • click to embiggen
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Dining porch fireplace ~ Lake Placid Lodge • click to embiggen
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Red Adirondack chairs ~ Lake Placid Lodge • click to embiggen
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Adirondack rustic ~ Lake Placid Lodge • click to embiggen
Last evening we took the Jersey people to the Lake Placid Lodge. A place where, during the summer/fall season, you can get a room/cabin for between $550-$1,650/per night. A place where dinner for 7 - 4 bottles of wine, appetizers, entrées, and desserts with coffee - will cost you about $600-$700.