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This blog is intended to showcase my pictures or those of other photographers who have moved beyond the pretty picture and for whom photography is more than entertainment - photography that aims at being true, not at being beautiful because what is true is most often beautiful..

>>>> Comments, commentary and lively discussions, re: my writings or any topic germane to the medium and its apparatus, are vigorously encouraged.

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BODIES OF WORK ~ PICTURE GALLERIES

  • my new GALLERIES WEBSITE
    ADK PLACES TO SIT / LIFE WITHOUT THE APA / RAIN / THE FORKS / EARLY WORK / TANGLES

BODIES OF WORK ~ BOOK LINKS

In Situ ~ la, la, how the life goes onLife without the APADoorsKitchen SinkRain2014 • Year in ReviewPlace To SitART ~ conveys / transports / reflectsDecay & DisgustSingle WomenPicture WindowsTangles ~ fields of visual energy (10 picture preview) • The Light + BW mini-galleryKitchen Life (gallery) • The Forks ~ there's no place like home (gallery)


Entries from September 1, 2010 - September 30, 2010

Friday
Sep242010

County Fair!

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Playground equipment ~ Au Sable Forks, NY - in the Adirondack PARK • click to embiggen
Re: the preceding entry, here's an excerpt from Jean Shepherd's story, County Fair!. The story is about ....

... the Old Man, Ralphie and his little brother Randy climb aboard the Whirligig Rocket Whip after a full day of eating all manner of junk. When Ralphie's mother objects, the old man responds, "Aw, come on. It'll do the kids good. Blow the stink off 'em."

The descriptions are great - There were brief flashes of dark sky, flashing lights, gaping throngs, my old man's rolling eyes, his straw hat sailing around the interior of the car. Their father's loose change and fountain pen all spin away into the night as the ride gains speed.

It was then that the operator turned the power on full. Everything that had gone before was only a warmup. Our necks snapped back as the Rocket Whip accelerated. I was not touching the seat at any point. Jackknifed over the bar, I saw that one of my shoes had been wrenched off my foot. At that moment, with no warning, my kid brother let it all go. His entire day’s accumulation of goodies, now marinated and pungent, gushed out in a geyser. The car spun crazily. The air was filled with atomized spray of everything he had ingested for the past 24 hours. Down we swooped.

“My new pongee shirt!”

Soaked from head to foot, the old man struggled frantically in his seat to get out of the line of fire. It was no use. I felt it coming, too. I closed my eyes and the vacuum forces of outer space just dragged it all out of me like a suction pump. From a million miles away, I heard my old man shouting something, but it didn’t matter. All I knew was that if I didn’t hold onto that bar, it would be all over.

We gradually spun to a stop and finally the wire mesh door opened. My feet touched the blessed earth. On rubbery legs, clinging weakly together, the three of us tottered past the turnstile as other victims were clamped into the torture chamber we had just left.

“Great ride, eh, folks? I left you on a little longer, ‘cause I could see the kids was really enjoyin’ it,” said the operator, pocketing the last of my father’s change as we passed through the turnstile.

“Thanks. It sure was great,” said the old man with a weak smile, a bent cigarette hanging from his lips. He always judged a ride by how sick it made him. The nausea quotient of the Rocket Whip was about as high as they come.

We sat on a bench for a while to let the breeze dry off the old man’s shirt, and so that our eyes could get back into focus. From all around us we could hear the whoops and hollers of people going up and down and sideways on the other rides.

... It was late now and getting a little chilly. It seemed like we had been at the fair for about a month. We sat on the bench while the crowd trudged past us, chewing hot dogs, lugging jars of succotash that they had bought at the exhibits, twirling sticks with little yellow birds on the ends of strings that we could hear whistling over the calliope on the merry-go-round, wearing souvenir Dr. Bodley's Iron Nerve Tonic sun visors, carrying drunken cousins who had hit the applejack since early morning, wheeling reeking babies smeared with caked Pablum and chocolate. Long-legged, skinny, yellow dogs with their tongues hanging out kept running back and forth and barking. It had been an unforgettable day.

As mentioned, if one has never experienced the midway at a county fair, or better yet, a state fair, in the good ol' US of A, this story may not elicit the same hilarious response that it does for those who have.

Thursday
Sep232010

ku # 806-10 ~ more autumn color #s 3, 4, 5, 6, 7

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A tree ~ ruralsouthern Quebec, CA • click to embiggen
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Signs of autumn ~ rural southern Quebec, CA • click to embiggen
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Signs of autumn ~ rural southern Quebec, CA • click to embiggen
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Signs of autumn ~ rural southern Quebec, CA • click to embiggen
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Signs of autumn ~ rural southern Quebec, CA • click to embiggen
Yesterday, during our drive to Montreal for dinner and a hockey game - see the following entry - we were traversing the southern Quebec countryside, an area that is comprised almost entirely of farmlands. We always pass through this area on our way to Montreal as a result of crossing the border by way of a very small border crossing that is located on a small country road. This little detour gets us away from the heavily traveled and often congested interstate crossing. And, as an added benefit, we get to see some very nice rural countryside.

My intention has always been to picture this area but it seems that we are always hustling along and I have never taken the time to stop and smell the roses ... or the dirt and manure. However, this time through, we had a little extra time so the wife sat patiently in the car while I dicked around making some pictures. One of these days I'm gonna head up there solely for the purpose of making pictures.

In any event, I would like to address a comment from Markus Spring on the decay # 39 ~ it made the cut entry (which addressed the picture, Without the APA, found in this entry):

... with the explanation the image makes perfect sense, meaning I get "it" - and now the components of the image suddenly fall in place ... [W]hat interests me in the photographical context is, that I needed a textual explanation for this image - even the title didn't suffice - and this opens up the question, if, what type and how much content can be transported in a work of art .... [T]he fine balance between readability and complexity at least in this image was not there for me unless I got to reading the text.

First, let me say "Shame on me" for not introducing a new series / body of work without including at least a very abbreviated artist statement. Here on The Landscapist, I have repeatedly advocated for the value of the artist statement, a much maligned notion in much of the picture-making world - at least amongst the "amateur" segment where it is considered that a picture that "needs" words is a "failure".

IMO, if all one is interested in in his/her picture-making is making pictures that are the equivalent of rudimentary learning-to-read texts, like see Spot dick Jane, then perhaps words aren't "needed" to convey only the simplest of ideas. No words works well for most "amateurs" inasmuch as all they are interested in saying/conveying is "WOW".

However, a picture maker, who makes pictures that deal with more complex thoughts / ideas / notions / et al, often employs the artist statement to, at the very least, give picture viewers a clue to not only what it is that drives his/her desire to make pictures but also to what it is he/she is saying. Please take note of the word "clue" in the preceding sentence by which I did not mean an artist statement that tells the viewer what or how to think about his/her pictures.

Re: the artist statement, consider this from Brooks Jensen:

Lots of photographers will claim that a photograph that needs a caption is an inferior photograph. This is silly and denies the obvious fact that all photographs are made, seen and interpreted against a social background that influences their appreciation and understanding.

And therein lies my defense (rather lame, but applicable nevertheless) against my failure to provide the "explanation", re: Without the APA - no one/very few in my neck of the (Adirondack) woods would lack the "social background" to understand, if not appreciate, the Without the APA picture. Just the initialism "APA" is enough to set temperatures rising, tempers flaring, and tempests in a tea(bagger)pot steaming.

That said, in that defense lies the self-evident and obvious importance of the artist statement - not everyone who views my pictures are from my neck of the geographic woods, much less from my neck of the emotional / intellectual / political woods.

Thursday
Sep232010

civilized ku # 693-96 ~ dinner and a (hockey) show

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Habs vs Bruins ~ Bell Center - Montreal, CA • click to embiggen
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Narcisse - Bistro + Bar a Vin ~ Montreal, CA • click to embiggen
Yesterday afternoon the wife and I headed up to Montreal for a dinner and a pre-season hockey game. Dinner for me was pasta alla carbonara, for the wife, grilled cod and risotto.

Wednesday
Sep222010

decay # 39 ~ it made the cut (and an explanation)

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Celery root • click to embiggen
Last week in this entry I mentioned the reasoning involved in the selection of the picture Without the APA for submission in an Arts organization sponsored juried show. Well, who knows exactly what the judge's thoughts on the picture were but suffice it to say that the picture was selected for the exhibition.

That said, here is an explanation, re: the use of "APA" in the picture's title - the APA is the Adirondack Park Agency, a much reviled state agency. The mission of the APA is to protect the public and private resources of the Park through the exercise of the powers and duties provided by law. It is also responsible for maintaining the protection of the forest preserve, and overseeing development proposals of the privately owned lands.

Shortly after its inception in 1971, the APA developed long-range land use plans for both public and private lands within the boundary of the Park - the State Land Master Plan, which was signed into law in 1972, followed by the Adirondack Park Land Use and Development Plan in 1973. In effect, the APA is a large-scale zoning agency.

All proposals for development on private lands within the Adirondack Park must be reviewed and approved by the APA. All development must conform to the aforementioned master / land use plan and therein lies the rub - those who would pave paradise and put up a parking lot with a pink hotel, a boutique and a swinging hot spot have been really pissed off ever since the APA (AKA - "big socialist government") "took away their rights".

In any event, Without the APA is the first picture in a series in which I am creating in-my-mind-only landscapes. Pictures that are composite images assembled from bits and pieces of my earlier cityscape pictures together with my landscape pictures of various Adirondack scenes.

BTW & FYI, for anyone within the sound of this blog, I will be at the exhibit opening reception - this Friday (9/24/10), 5-7PM - at The Lake Placid Center for the Arts.

Wednesday
Sep222010

civilized ku # 692 ~ neon reflection

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Bicycle rim reflection ~ Philadelphia, PA • click to embiggen

Wednesday
Sep222010

ku # 805 ~ a tree

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Cemetery tree ~ Mt. Hope Cemetery - Rochester, NY • click to embiggen

Monday
Sep202010

civilized ku # 691 ~ Autumn evening sky

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Last hole / late round of golf ~ Lake Placid, NY - in the Adirondack PARK • click to embiggen

Monday
Sep202010

civilized ku # 690 ~ Autumn color # 2

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Fallen crab apples ~ Au Sable Forks, NY - in the Adirondack PARK • click to embiggen