civilized ku # 1037 ~ on seeing
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An alley in Plattsburgh ~ Plattsburgh, NY • click to embiggenSven W (no link provided) asked, re: civilized ku # 1032: "Another conspiracy theory: have the rocking chairs been "arranged"? ;-)
my response: the rocker arrangements were made by those who last sat in them.
In fact, I rarely (if ever) change or adjust the "arrangements" of which I make pictures. That's simply because it is the "found"/ seen natural/human-world "arrangements" which catch my eye and that is exactly what I picture. In an extraordinary number of my pictures, I have made them from almost exactly the same POV as that from which I first saw the referent they depict.
Without exaggeration, all of my non-still life pictures are of found/seen "arrangements". That is to say, my eyes are drawn to and and my brain consciously recognizes arrangements and relationships nearly everywhere I go - the arrangement of objects and things (in the natural and human-made world) and the relationship of those objects/things to each other and their surroundings as well as relationships of colors and the tonal qualities of light.
I consider that "ability" to see and recognize arrangements / relationships as a "gift" or what some might call "talent". My skill lies in being able to select and isolate those arrangements / relationships from the surrounding world in a manner that draws the viewer's attention to them in a compelling, interesting, or sometimes pleasing but most often discordant 2D visual representation.
Re: 2D visual representation - in addition to the referent depicted (the "noted") and any implied meaning(s) (the connoted) to be seen and found in my pictures - AKA: the ability of any picture to illustrate and illuminate, to my eye and sensibilities, all my pictures also can be viewed as arrangements / relationships of completely "abstract" 2D shapes, color "splotches", and tones which are totally devoid of any specific descriptive qualities. IMO, it is these abstracted "abstract" qualities which create a sense of visual energy in my pictures or, for that matter, the visual energy I see in the pictures (made by others) that I admire.
In a very real sense, I "see" those pre-existing arrangements / relationships which catch my eye and tweak my picture making sensibilities as some kind of Jackson Pollock moments.
Is there anyone out there who can see a picture in this manner?