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About This Website

This blog is intended to showcase my pictures or those of other photographers who have moved beyond the pretty picture and for whom photography is more than entertainment - photography that aims at being true, not at being beautiful because what is true is most often beautiful..

>>>> Comments, commentary and lively discussions, re: my writings or any topic germane to the medium and its apparatus, are vigorously encouraged.

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BODIES OF WORK ~ PICTURE GALLERIES

  • my new GALLERIES WEBSITE
    ADK PLACES TO SIT / LIFE WITHOUT THE APA / RAIN / THE FORKS / EARLY WORK / TANGLES

BODIES OF WORK ~ BOOK LINKS

In Situ ~ la, la, how the life goes onLife without the APADoorsKitchen SinkRain2014 • Year in ReviewPlace To SitART ~ conveys / transports / reflectsDecay & DisgustSingle WomenPicture WindowsTangles ~ fields of visual energy (10 picture preview) • The Light + BW mini-galleryKitchen Life (gallery) • The Forks ~ there's no place like home (gallery)


Entries from August 1, 2010 - August 31, 2010

Monday
Aug162010

civilized ku # 625 ~ après dinner

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So many choices, so little time ~ Au Sable Forks, NY • click to embiggen
Contrary to the usual situation, some of the wife's Jersey family have come north instead of the other way around.

Did I mention that they like to drink? Or, for that matter, that my heart reverted to A Fib just before they started arriving? Not that I think that there is a connection .....

FYI & BTW, the grappa is rue-flavored. Prior to its purchase I had no idea what rue - the white leafy stem visible in the bottle - was. Now I know ...

Rue (Ruta) is a genus of strongly scented evergreen subshrubs, native to the Mediterranean region ... Rue has been used internally as an antispasmodic, as a treatment for menstrual problems, as an abortifacient, and as a sedative... it is very bitter.

I assume one of the reasons it is in the grappa is because, all by itself, grappa is not bitter enough - WRONG.

Saturday
Aug142010

goofey ass kid

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3D glasses ~ Smithsonian Air & Space Museum - Washington, DC • click to embiggen
Just hanging out in the IMAX Theater and making faces while awaiting the start of Hubble 3D movie.

Saturday
Aug142010

picture window # 53 ~ radiant light

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Kitchen window ~ Au Sable Forks, NY - in the Adirondack PARK • click to embiggen
This picture is a blend (manual) of 5 separate exposures.

Saturday
Aug142010

civilized ku # 624 ~ how the hell ..... ?

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The Bronx / Washington Heights (?) ~ NY, NY • click to embiggen
Somehow, someway Hugo and I ended up in the Bronx on our way home from South Jersey.

A clear-cut case of too many signs / not enough attention. One minute we're headed north on I95, next minute we're on the George Washington Bridge headed to NYC.

Thursday
Aug122010

civilized ku # 623 ~ A MAJOR ANNOUNCEMENT

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On the way to get a cup a coffee ~ Au Sable Forks, NY - in the Adirondack PARK • click to embiggen
As has been noted quite a number of times,The Landscapist is not a blog for the gearheads nor the technophiles of the picture world. That is not about to change, but ....

....Thanks to a comment on civilized ku # 607 ~ too hot to handle from Mark Meyer (Mark M's treatment of color in his work ain't too shabby either), who stated ...

The treatment of color in your work is exceptional.

... I got to thinkin' that, with a lifetime of experience under my belt, re: making and printing color pictures, it's really a bit of a waste that I haven't made any real effort to pass that knowledge and experience on to very many picture makers. To be certain, when asked, I always gladly provide whatever help and information is called for. Over the past few years here on The Landscapist I been in receipt of many behind-the-scenes emails requesting info on various picture making aspects and have tried to respond to all of them.

That said, I am launching a new (but limited) feature here on The Landscapist -

Once or twice a week, I will field and answer a question or two about the technical aspects of picturing making/processing/printing.

That said, I have little interest in discussing gear. What I would like to encourage are discussions about how a picture was made from the exposure and processing point of view - the very thing that makes the treatment of color in my work exceptional.

One of the best criticisms I ever received about my pictures is that they don't look as if much processing work, AKA - RAW Developer and Photoshop, was performed on them. The comment was NOT meant as a compliment but, in fact, I took as such because I want my pictures to look natural and not all processed to hell and back again.

To that end, I use a wide variety of picture making and processing techniques - blended exposures (manual, not auto or HDR), local contrast and color adjustment, WB adjustments, layer blending, local hue and saturation adjustments, to name just a few.

The truth is, it takes a lot of processing to make a picture look natural and my reason for wanting my pictures to look natural was best stated by Robert Adams:

...only pictures that look as if they had been easily made can convincingly suggest that beauty is commonplace.

So, pick a picture, any picture about which you have a question or two - especially one that might relate to your own picturing making - and then ask away.

Thursday
Aug122010

civilized ku # 622 ~ not chasing the light

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Gas station ~ Plattsburgh, NY • click to embiggen
I have been wanting to picture this scene - with a very specific quality of light - for quite a while. The location is a fair distance from my abode so it was a case of being there, strictly by happenstance, when the light was "right".

Yesterday evening, strictly by happenstance, it came together - me, the scene, and the light.

That said, this picture is not necessarily the last word on the subject - or is that ... the last picture on the subject.

Thursday
Aug122010

picture window # 52 ~ late breakfast

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No. 17 ~ Soho, NYC • click to embiggen

Wednesday
Aug112010

civilized ku # 621 ~ shaft of light

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Juniper clump Stone Harbor, NJ • click to embiggen

Photography is inextricably linked with life; the photographer is not invisibly behind the camera but projecting a life-attitude through the lens to create an interference pattern with the image. Who he is, what he believes, not only becomes important to know intellectually, but also becomes revealed emotionally and visibly through a body of work. ~ Bill Jay